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Panavision Genesis. Studio Product Shot of a Panavision Genesis Modern Digital Movie Camera [1] It was first used by a feature crew to shoot Bryan Singer 's Superman Returns, and was shortly followed up thereafter by the World War I film Flyboys It is being used for the first time to shoot Bryan Singer 's Superman Returns and was shortly followed up by the British WWI film Flyboys.

Panavision DXL2 Archives YMCinema News & Insights on Digital Cinema
Panavision DXL2 Archives YMCinema News & Insights on Digital Cinema from ymcinema.com

66 Movies Shot On Panavision Genesis Camera - Californication, The Box, Seeking Justice, Horrible Bosses, Texas Killing Fields, Immortals, Sons of Anarchy, Superman Returns, Cougar Town, CSI: Miami, Lost Girl, Drop Dead Diva, Breakout Kings [1] It was first used by a feature crew to shoot Bryan Singer 's Superman Returns, and was shortly followed up thereafter by the World War I film Flyboys

Panavision DXL2 Archives YMCinema News & Insights on Digital Cinema

It's modeled on Panavision film cameras so your crew can adapt to it easily instead of using their energy learning to cope with evolving technologies - that translates into time and money savings on the set Greetings everyone! This is my first post, but I have been reading the forum for around a year now The Genesis is a discontinued high-end digital movie camera developed by Panavision, and was available solely by rental

Genesis Camera at Panavision on October 20, 2009 in Woodland Hills. [1] It was first used by a feature crew to shoot Bryan Singer 's Superman Returns, and was shortly followed up thereafter by the World War I film Flyboys 66 Movies Shot On Panavision Genesis Camera - Californication, The Box, Seeking Justice, Horrible Bosses, Texas Killing Fields, Immortals, Sons of Anarchy, Superman Returns, Cougar Town, CSI: Miami, Lost Girl, Drop Dead Diva, Breakout Kings

Panavision Genesis Camera System Bob Bekian Photos Pro HD … Flickr. Many people seem to think that the Panavision Genesis has made giant technological strides in solving the problem of limited contrast range for digital acquisition syst. It's modeled on Panavision film cameras so your crew can adapt to it easily instead of using their energy learning to cope with evolving technologies - that translates into time and money savings on the set